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Boy Meets Girl Film Review: The man passes out and wakes to find himself strapped to a dentist chair. How many horror movies have you seen where a seemingly normal guy, or even a straight up creep, lures a woman or women back to his place or lair, or dungeon and sets about torturing them in creative and sometimes not so creative waysfor little to no reason?
The answer is a lot of times. There are a ton of movies like that, from the smallest of underground indie films all the way up to the big budget Hollywood stuff. How often have you seen it the other way around?
Enter Boy Meets Girl. A few drinks later, you two are making out at her place. She makes you a drink, then puts on a dirty movie.
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And maybe Anne Marie has been watching him for a long, long time now. This is just as much about psychological torture as it is physical. The turn of phrase was first coined by Carol J. Gender in the Modern Horror Film, and it refers to a heroine or "survivor girl" who can be defined by several features: The contradiction of trying to create strong female protagonists who are usually still defined by the binary terms of "whore" and "maiden" is an obvious paradox inherent with this trope.
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And we've also seen it obliviously ignored, slyly mocked, and even celebrated in any number of horror movies. So join us as we look at the 13 best final girls.
Marilyn Burns played a wide-eyed and terrorized survivor girl before that even was a thing.
And worst of all is when the Sawyer Family then invites her to dinner over their remains. It also literally gobbled since the Sawyer family gorged themselves on any teen or fool stupid enough to wander from the safety of civilization.
Sally herself is fairly reactionary as a character and more survives by mere luck than anything else. But on this earlier and far darker silent night, Clark imagines a sorority house where a serial killer hides in the attic as he slowly picks off the Greek sisters one by one over winter break.
The final girl here is Jess, who is played with a genuinely emotional arc by Olivia Hussey.
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Released in the years before a final girl was a checklist box, Jess is a young woman whose personal struggles are still incredibly hot buttoned today. In fact, it is hard to think of any horror movie now where the central heroine is in the process of getting an abortion.
But in Black Christmas, Jess realizes she is pregnant and, without wavering, tells her temperamental artiste boyfriend that she is canceling the baby food orders. She then goes on to be the last sorority girl standing when it appears that boyfriend Peter Keir Dullea is the killer.
Wade makes Jess unique in the genre and still one who should not be trifled with by masked killers. Jamie Lloyd Danielle Harris Halloween 4: The Return of Michael Myers ; Halloween 5 Jamie Lloyd is an especially rare type of final girl because she actually is a girl, and thus one whose danger is significantly heightened.
So if Michael Myers was going to now compete with his fellow knife-wielders, any distinction would be crucial—and making the franchise revolve around an eight-year-old girl proved to be a cunningly singular difference.
Danielle Harris also does pretty well for a child actress in this role, particularly in her second entry where her pantomime expressions the terror of the fourth movie left her mute allow her instant sympathy—a trait long lost in most horror movie heroines. Also, she sells the hell out of the scene where she finds her dog and adopted sister turned into festive lawn ornaments.
Hellraiser II ; Hellraiser: To call it that would understate the nasty brilliance of what is at work in this gory passion play where BDSM meets Lovecraft. And whether they acknowledge it or not, they subconsciously are yearning for their own flaying.
In this demented context, Kirsty Cotton is unique in her relationship to her would-be tormentor. Repeatedly, she finds herself in situations where she has summoned the Cenobites into her world, and despite there always being a narrative logic to it, Pinhead Doug Bradley might have a point when he infers she wants to know the pleasures of exquisite torment.
Kirsty is generally at her best in Hellbound: Hellraiser II where she lives in the worst psychiatric ward in history and is powerless as her doctors open the gates to a realm of body horror once more. But this time, she is able to save more than herself. This character growth of heroism as opposed to victimhood is a bit undone in the seedy direct-to-video follow-up Hellraiser: Hellseekerbut the less said about that movie the better.
Yet we sense that the hate is more for the tropes, including final girls. Because everything else about this movie is just lovely: But at the center of it all is a scathing critique of the slasher formula, particularly with its antiquated attempts at feminism. Meanwhile, her equally intelligent girlfriend is manipulated by chemicals to be the harlot in need of punishment, and thus outdated gender roles are preserved.
This might not be what is supposed to happen, but it makes Dana one of the most memorable and utilitarian of the final girls on this list. Sarah Carter Shauna Macdonald The Descent Ever since the s, horror films generally are expected to have a survivor girl or two, but writer-director Neil Marshall does that one better in The Descent when he casts only women in his ensemble.
Indeed, the all-female cast is one of the most intriguing things about what is arguably the best chiller of the last 10 years.